Hilde Heynen | The MIT Press (February 28, 2000) | ISBN: 0262581892 | 276 pages | PDF | 7MB
Heynen (architecture, Catholic Univ., Leuven, Belgium) explores the philosophical idea of modernityAthe conditions of living imposed by the socioeconomic process of mechanizationAand its intersection with examples of modern architecture. Her central question is whether modernity is a "temporary aberration," as Christopher Alexander suggests, or an accurate reflection of the essential human condition. The methodology of the book moves in three directions: examining how architecture relates to modernity, drawing a conclusion to that examination by citing major representatives of the modern movement, and referring to theories in opposition to the modern movement.
The chapters are built around key figures in philosophy (Martin Heidegger, Theodor Adorno, Walter Benjamin) as well as figures in architectural theory (Christian Norberg-Schulz, Sigfried Giedion). The point is best illustrated by an excellent analysis of Adolf Loos's Moller House and his technique of the Raumplan. The illustrations are few but judiciously chosen. Recommended for philosophy collections and advanced students in architectural theory.APaul Glassman, New York Sch. of Interior Design Lib.
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Sunday, July 6, 2008
Architecture and Modernity: A Critique by Hilde Heynen
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